Seville is the capital of southern Spain’s Andalusia region. It’s famous for flamenco dancing, particularly in its Triana neighborhood. Major landmakrs include the ornate Alcázar castle complex, built during the Moorish Almohad dynasty, and the 18th-century Plaza de Toros de la Maestranza bullring.
The arabesque is a form of artistic decoration consisting of “surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils” or plain lines, often combined with other elements. Another definition is “Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems”. It usually consists of a single design which can be ’tiled’ or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term “arabesque” is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns.
Tango is a dance that has influences from African and European culture. Dances from the candombe ceremonies of former slave peoples helped shape the modern day Tango. The dance originated in lower-class districts of Buenos Aires and Montevideo. The music derived from the fusion of various forms of music from Europe. The word “tango” and “tambo” around the River Plate basin where initially used to refer to musical gatherings of slaves, with written records of colonial authorities attempting to ban such gatherings as early as 1789. If you like at my sculpture here you’ll figure out why I named it Tango.